2011³â ½ÃÀ۵Ǿî 2014³â Á¦4ȸ¸¦ ¸Â´Â ÈÀ½(ûþëå) ÇÁ·ÎÁ§Æ® Æ佺Ƽ¹úÀÌ Àü±¹ ´ÜÀ§·Î È®ÀåµÇ¾î ¿À´Â 10¿ù 4ÀÏ Á¦ÁÖµµ¸³¹Ì¼ú°üÀ» ½ÃÀÛÀ¸·Î 2°³¿ù °£ Àü±¹ 8°³ ¹Ì¼ú°ü¿¡¼ 15¸íÀÇ ÀÛ°î°¡ÀÇ Çö´ë âÀÛÀ½¾ÇÀ» ÃÊ¿¬ÇÕ´Ï´Ù.
Çö´ëÀ½¾ÇÀÇ Metamorphosis!
ÈÀ½ ÇÁ·ÎÁ§Æ®´Â ±×¸²ÀÌ ÁÖ´Â ¿µ°¨À» ÅëÇØ Çö´ëÀ½¾ÇÀ» ±¸¼ºÇØ ³ª°¡´Â ÇÁ·ÎÁ§Æ®·Î 130¿© °îÀÇ Çö´ëÀ½¾Ç âÀÛ°îÀÌ Áö³ 10¿© ³â°£ ´Ù¾çÇÑ ¹Ì¼úÀÛÇ°°úÀÇ ±³°¨À¸·Î ź»ýµÇ¾ú½À´Ï´Ù. ÇÑ ¹ø ¿¬ÁÖµÇ°í ¿ª»ç ¼Ó¿¡ ¾ÈŸ±õ°Ô »ç¶óÁö´Â Çö´ëÀ½¾ÇµéÀ» ¿ì¸® ½Ã´ë¿Í ÇÔ²² È£ÈíÇÏ´Â ¿¹¼ú·Î¼ÀÇ »ý¸í·ÂÀ» ºÒ¾î³Ö°íÀÚ ½ÃÀÛµÈ ÈÀ½ÇÁ·ÎÁ§Æ® Æ佺Ƽ¹úÀÌ 4ȸ¸¦ ¸Â¾Ò½À´Ï´Ù. ¿ÃÇØ´Â ±¹³»¿¡¼ À¯ÀÏÇÏ°Ô Àü±¹¿¡¼ ÁøÇàµÇ´Â Çö´ëÀ½¾Ç Æ佺Ƽ¹ú·Î È®ÀåµÇ¾î Á¦ÁÖ¸¦ ½ÃÀÛÀ¸·Î Àü±¹ÀÇ 8°³ ¹Ì¼ú°ü¿¡¼ 15¸íÀÇ ÀÛ°î°¡ÀÇ 15ÀÛÇ°ÀÌ ÃÊ¿¬µÇ°í 5ÀÛÇ°ÀÌ À翬µÇ´Â ´õ¿í dz¼ºÇÑ ÃàÁ¦·Î ¿©·¯ºÐµé²² ´Ù°¡°©´Ï´Ù.
Âü¿©¹Ì¼ú°ü:
Á¦ÁÖµµ¸³¹Ì¼ú°ü(10.04), ¼¿ï¹Ì¼ú°ü(10.12, 10.26), ¼È£¹Ì¼ú°ü(10.18), ±¤Áֽø³¹Ì¼ú°ü(10.25)
½ºÆäÀ̽ºC(11.01), ¹®È°øÀå¿À»ê(11.13), ´ëÀü½Ã¸³¹Ì¼ú°ü(11.21), ´ë±¸½Ã¸³¹Ì¼ú°ü(11.22)
Âü¿©ÀÛ°î°¡:
°ÁØÀÏ, ±è±¤Èñ, ±è¼º±â, ¹é¿µÀº, ÀÓÁö¼±, °ûÀº¿µ, À±½ÂÇö, ÀÓÁ¾¿ì, À¯¹ü¼®, ÃÖÀºÁø, ÃÖÁö¿¬,
ÀÌÀÏÁÖ, ±èÀº¿µ, À¯µµ¿ø, ¹èµ¿Áø, ¿À¿¹½Â, ÇÑ´ë¼·, À̹®¼®, ÀÌÈ£¿ë
ÁÖÃÖ/ÁÖ°ü: »ç´Ü¹ýÀÎ ÈÀ½
ÈÄ¿ø: Çѱ¹¹®È¿¹¼úÀ§¿øȸ, CJ¹®ÈÀç´Ü, HYUNDAI, Çб³¹ýÀÎ ÇØûÇпø ¿µµ¿°íµîÇб³
Day 1. 2014³â 10¿ù 4ÀÏ (Åä) ¿ÀÈÄ 4½Ã Á¦ÁÖµµ¸³¹Ì¼ú°ü
¹é¿µÀº ÈÀ½ ÇÁ·ÎÁ§Æ® Op. 48, ÿ·Î µ¶ÁÖ¸¦ À§ÇÑ " Àú »ê ³Ê¸Ó..."
Beethoven ¡®Serenade¡¯ for String Trio in D Major, Op.8
¹é¿µÀº ÈÀ½ ÇÁ·ÎÁ§Æ® Op. 128, Çö¾Ç»ïÁßÁÖ¿Í Å¸¾Ç±â¸¦ À§ÇÑ "Á¤¹°ÈÆòµµ" (ÃÊ¿¬)
Violin ±èÁöÀ± Viola ¿¡¸£¿Ï¸®»þ(Erwan Richard) Cello ÀÌÇï·»
Day 2. 2014³â 10¿ù 12, 26ÀÏ (ÀÏ) ¿ÀÈÄ 4½Ã30ºÐ ¼¿ï¹Ì¼ú°ü ¼®ÆÄÁ¤
> Çѱ¹ ´ëÁß°¡¿ä ¸ðƼºê¿¡ ÀÇÇÑ Çö´ëÀ½¾Ç°ú ´ëÁß°¡¿äÀÇ Hybrid
ÀÓÁö¼± ÈÀ½ ÇÁ·ÎÁ§Æ® Op. 129, "ÆÛÁñ" - 1960³â´ë ´ëÁß°¡¿ä ¸ðƼºê¿¡ ÀÇÇÑ Hybrid (ÃÊ¿¬) /
Clarinet, Guitar
±è¼º±â ÈÀ½ ÇÁ·ÎÁ§Æ® Op. 130, "Centonisation" - 1970³â´ë ´ëÁß°¡¿ä ¸ðƼºê¿¡ ÀÇÇÑ Hybrid (ÃÊ¿¬) /
Violin Solo
±è±¤Èñ ÈÀ½ ÇÁ·ÎÁ§Æ® Op. 131, "¼¼³ë¾ß ¼¼³ë¾ß 2014" - 1970³â´ë ´ëÁß°¡¿ä ¸ðƼºê¿¡ ÀÇÇÑ Hybrid (ÃÊ¿¬) /
Oboe, Violin I, Violin II, Viola, Cello, Double Bass
À¯¹ü¼® ÈÀ½ ÇÁ·ÎÁ§Æ® Op. 132, "In my memory" - 1980³â´ë ´ëÁß°¡¿ä ¸ðƼºê¿¡ ÀÇÇÑ Hybrid (ÃÊ¿¬) /
Violin, Cello, Piano
¿À¿¹½Â ÈÀ½ ÇÁ·ÎÁ§Æ® Op. 133, "Mash-up" - 1990³â´ë ´ëÁß°¡¿ä ¸ðƼºê¿¡ ÀÇÇÑ Hybrid (ÃÊ¿¬) /
Violin, Double Bass, Piano
Oboe À±¹Î±Ô Clarinet ÀÓ»ó¿ì Violin ±èÁöÀ±, °¿î¿µ Viola ÀÌÁöÀ± Cello ±è¿¬Áø
Double Bass À̵¿Çõ Piano ±èº¸°æ Guitar&Çؼ³ ¼Á¤½Ç
Day 3. 2014³â 10¿ù 18ÀÏ (Åä) ¿ÀÈÄ 5½Ã ¼È£¹Ì¼ú°ü
ÃÖÀºÁø ÈÀ½ ÇÁ·ÎÁ§Æ® Op. 102, "²Þ" / Violin, Cello, Piano
Liszt "»ç¶ûÀÇ ²Þ" / Piano Solo
Faure "²ÞÀ» ²Û ÈÄ¿¡" / Cello, Piano
¹èµ¿Áø ÈÀ½ ÇÁ·ÎÁ§Æ® Op. 134 (ÃÊ¿¬) / Violin, Viola, Cello, Piano
Violin ¹Ú Çö Viola ÀÌÁöÀ± Cello ÀÌÇï·» Piano ±èº¸°æ
Day 4. 2014³â 10¿ù 25ÀÏ (Åä) ¿ÀÈÄ 4½Ã ±¤Áֽø³¹Ì¼ú°ü
À±ÀÌ»ó "contemplation" / Viola Duo
°ÁØÀÏ ÈÀ½ ÇÁ·ÎÁ§Æ® Op. 135 (ÃÊ¿¬) / Viola I, Viola II, Cello, Double Bass
Viola¥° ¿¡¸£¿Ï¸®»þ(Erwan Richard) Viola¥± ¸¶ºó¹®(Marvin Moon) Cello ¹Ú³ëÀ» Double Bass ±è³²±Õ
Day 5. 2014³â 11¿ù 1ÀÏ (Åä) ¿ÀÈÄ 4½Ã ½ºÆäÀ̽ºC
°ûÀº¿µ ÈÀ½ ÇÁ·ÎÁ§Æ® Op. 119, "Forever..." / Flute, Violin
ÀÌÀÏÁÖ ÈÀ½ ÇÁ·ÎÁ§Æ® Op. 136, (ÃÊ¿¬) / Violin I, Violin II, Viola, Cello
À¯µµ¿ø ÈÀ½ ÇÁ·ÎÁ§Æ® Op. 137, "ºñ¸Á·Ï(Memorandum)" (ÃÊ¿¬) / Flute, Violin, Viola, Cello
ÇÑ´ë¼· ÈÀ½ ÇÁ·ÎÁ§Æ® Op. 138 (ÃÊ¿¬) / Flute, Violin, Cello, Percussion
±èÀº¿µ ÈÀ½ ÇÁ·ÎÁ§Æ® Op. 139 (ÃÊ¿¬) / Trumpet, Violin, Cello, Percussion
Flute ÀÌ¿¹¸° Trumpet ±è¿Ï¼± Violin À̺¸¿¬, ³ëÀ±Á¤ Viola ÀÌÁöÀ± Cello ±è¿¬Áø Percussion ±èÀºÇý
Day 6. 2014³â 11¿ù 13ÀÏ (¸ñ) ¿ÀÈÄ 5½Ã ¹®È°øÀå ¿À»ê
ÀÌÈ£¿ë ÈÀ½ ÇÁ·ÎÁ§Æ® Op. 140, "û»çÁø" (ÃÊ¿¬) / Electronics Sound Design
Day 7. 2014³â 11¿ù 21ÀÏ (±Ý) ¿ÀÈÄ 6½Ã ´ëÀü½Ã¸³¹Ì¼ú°ü
ÀÓÁ¾¿ì "Shade II" for Viola & Live-Electronics in real-time / Viola, Electronics
À̹®¼® ÈÀ½ ÇÁ·ÎÁ§Æ® Op. 117, "Trailer for Ensemble" / Flute, Clarinet, Violin, Viola, Cello
¹èµ¿Áø ÈÀ½ ÇÁ·ÎÁ§Æ® Op. 118, "connection without connection" / Flute, Clarinet, Violin, Cello
ÃÖÁö¿¬ ÈÀ½ ÇÁ·ÎÁ§Æ® Op. 141 (ÃÊ¿¬) / Violin, Cello, Electronics
Day 8. 2014³â 11¿ù 22ÀÏ (Åä) ¿ÀÈÄ 3½Ã ´ë±¸½Ã¸³¹Ì¼ú°ü
À±½ÂÇö ÈÀ½ ÇÁ·ÎÁ§Æ® Op. 142 (ÃÊ¿¬) / Viola¥°, Viola¥±, Viola¥²
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